It's a tragedy, really, because this fine, often overlooked action-drama deserved much, much better.
Cross Of Iron is a powerful, offbeat antiwar film with a literate script, featuring interesting performances. War is not an adventure in this story. There is no heroicism on the muddy, bloody Golgotha of the Eastern Front. There is only the crucifixion of the ordinary German landser on the altar of Hitler's madness. Based on the 1956 novel by World War II veteran Willi Heinrich, this European co-production was filmed in English by acclaimed American director Sam Peckinpah (The Wild Bunch, Straw Dogs). Set in southern Russia in 1943, the story follows the embittered German Sergeant Steiner (James Coburn, in one of his strongest dramatic roles) as he and the men of his platoon struggle to survive both the attacking Red Army and the scheming duplicity of their own glory-hungry battalion commander, the haughty, aristocratic Captain Stransky (Maximilian Schell). Steiner hates officers, especially incompetent ones, and makes the mistake of openly showing disdain for Stransky. A terrible 'friendly fire' incident ensues when the captain deems it advantageous for his career if Steiner's men don't make it back from behind enemy lines.
Expect the slow-motion ballets of death that Peckinpah is most famous for in combination with his unusual editing style. Pacing flags in the middle but direction is solid throughout. Authenticity is first-rate; the movie was shot on location in Yugoslavia (a good stand-in for the Soviet Union) using historically accurate weapons. A must-see for anyone interested in World War II's Russian Front — a very rare subject of English-language cinema. (Can you you name another English-language Ostfront film besides 2001's Enemy At The Gates?)