Not one bit.
I like metal (slayer or mayhem would be prototype bands for my sound) first and foremost. I also love and play jazz, particularly bebop, bop and post-bop (miles davis, art blakey's jazz messengers and wes montgomery would be prototype bands for my preferred sound in that genre). Those are my two favorite genres.
I personally play saxophone, piano, drums and guitar. But guitar has been the mainstay for the past 23 years.
I did very much enjoy the "rave" movement of the early 90's, not so much on a music level as on a hedonistic level. My eldest son was born to Future Sounds of London, for example. My favorites were union jack, orb, orbital, aphex twin, autechre, omicron . . . . I also did a lot of sequencer stuff with rolands, moogs, drum machines etc, and of course, two technics turntables. That's when I would hear tortoise, etc, was in the ambient circles at the mid to end of that decade. I wouldn't call it math rock so much as progressive ambient from my point of view, just look how many times flah used words like "ambient" or "spacey" in his descriptions.
So, no, we don't like your music. We like that you talk about music like a true music lover, in terms of the chills going up and down your spine. In terms of saying your "heart feels like it's going to explode." That's some moving shit; I'm feelin' ya man.

No one who dances on sound and thought in this way can be evil; your heart must be dense and radiant. And that's cool. And we like cool, because we like the charade of pretending we're cool, and guys like you really improve the credibility of our act.
As for Flah, he cannot be said to like or dislike anything. He sits like a recessed spider god at the center of a musical pantheon of his own construction. He knows all and sees all, and dispenses hidden drops of musical booty to further the apocalyptic state of the future wherein all the musical chosen are locked in suspended catoplexy of headphone cacoons. But don't worry about that yet, just enjoy the tunes.
Nice to meet ya bro.